{"id":106157,"date":"2020-10-28T13:46:45","date_gmt":"2020-10-28T13:46:45","guid":{"rendered":"https:\/\/gamerant.com\/the-strange-phenomenon-of-two-studios-releasing-competing-movies-that-have-the-exact-same-premise\/"},"modified":"2020-10-28T13:46:45","modified_gmt":"2020-10-28T13:46:45","slug":"twin-films-the-strange-phenomenon-of-two-studios-releasing-competing-movies-that-have-the-exact-same-premise","status":"publish","type":"post","link":"https:\/\/itteacheritfreelance.hk\/wordpress\/index.php\/2020\/10\/28\/twin-films-the-strange-phenomenon-of-two-studios-releasing-competing-movies-that-have-the-exact-same-premise\/","title":{"rendered":"Twin Films – The Strange Phenomenon of Two Studios Releasing Competing Movies That Have The Exact Same Premise"},"content":{"rendered":"

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The day the telephone was patented, February 14, 1876, US patent offices received two applications for such an invention<\/a>.\u00a0 The first filing was from Alexander Graham Bell, beating out competitor Elisha Gray by about two hours.\u00a0 A lawsuit was filed, and in the end, Alexander Graham Bell was awarded the patent.<\/p>\n

This isn’t a rare occurrence, as it turns out.\u00a0 “Multiple discovery” is the hypothetical concept that, independent of each other, multiple scientists will make the same discovery at around the same time.\u00a0 The Nobel prize has, at times, nominated multiple laureates (at a maximum of three) in the same field for having made the same discovery<\/a>.\u00a0 Why this occurs, and why it occurs often, may be a result of new advancements in technology and society, or as a result of events of the time.<\/p>\n

RELATED: Spooky Shows to Stream This October<\/a><\/span><\/strong><\/p>\n

Just as this happens in the scientific community, it also happens very frequently with movie releases.\u00a0 In 1965 two movies about actress Jean Harlow were released, both with the name Harlow<\/em>, one by Paramount Pictures and the other by the Magna Corporation, which was released five weeks before Paramount’s.\u00a0 Last year , both Netflix and Hulu released documentaries about Fyre Festival, a luxury music festival on the Bahamian island<\/a> of Great Exuma hosted in 2017.\u00a0 The festival ended up being wildly fraudulent, leaving attendees stranded and sleeping in FEMA tents after having spent exorbitant amounts of money while the locals of Exuma were left unpaid for their many hours of hard work.\u00a0 The Lonely Island has also mentioned plans for a film parodying the events as well.<\/p>\n

When multiple films that share the same premise are released close to each other, they are frequently referred to as “twin films”.\u00a0 This can happen for any number of reasons, ranging from the innocuous to the dastardly.\u00a0 Sometimes a spec script is sent out<\/a> to multiple studios who end up liking the idea and work on their own projects based on it, a project gets scrapped and somebody attached to work on it then goes to another studio to see it through, a studio wants to cash in on the buzz generated by another big release, it’s based on a work in the public domain, or sometimes it’s pure coincidence and it’s too late for the studios to backtrack all the hard work.\u00a0 In some cases, the one option will be rated R while the other has a more family-friendly tone.\u00a0 Usually, production schedules are massaged slightly to make the films more or less competitive in their releases, leaving potential theater-goers confused as to which movie might be the better option to go see.<\/p>\n

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In the case of the Harlow<\/em> movies<\/a>, Paramount’s film had been in the works for some time, with the production studio and lead actress changing on multiple occasions.\u00a0 Magna Corporation shot their film in eight days so they could get their film out first.\u00a0 Hulu released their documentary Fyre Fraud<\/em> in a rush release four days before Netflix’s FYRE<\/em> would drop without even advertising it. In another recent instance of twin films involving Netflix – A Quiet Place, <\/em>a film about monsters attacking people who made any noises, was imitated by Netflix eight months later with the release of The Bird Box<\/em>, a movie about monsters attacking people who look at them.<\/p>\n

Deep Impact<\/em>, a movie about an asteroid headed towards Earth, had been in the works for years, the initial concept having been conceived in the 70s.\u00a0 Bruce Joel Rubin helped develop the script and wrote in his book Tales From the Script<\/em> that Disney had stolen the idea to make Michael Bay’s Armageddon<\/em>, alleging that he could see an executive taking notes during a meeting with them.\u00a0 Deep Impact<\/em>, which was thematically a much more dramatic film, released just two months before Armageddon <\/em>but brought in $200 million less in box office sales.\u00a0 Observe and Report<\/em>, a story about a mall cop who repeatedly fails to achieve their dreams of becoming a police officer, came out three months after Paul Blart: Mall Cop<\/em>, a movie about a mall cop who repeatedly fails to achieve their dreams of becoming a police officer.\u00a0 Observe and Report<\/em> is considerably more violent and profanity-laden than Paul Blart: Mall Cop<\/em>, and Obsesrve and Report<\/em> star Seth Rogen stated in interviews at the time<\/a> that both production teams worked together to ensure that there weren’t too many similarities between the two films.\u00a0 There have been allegations made by writer and attorney Alfred Thomas Catalfo that Paul Blart: Mall Cop <\/em>borrowed extensively from a script he sent to Happy Madison Productions (which produced the Paul Blart<\/em> movies), and Seth Rogen would go on to state his displeasure with Paul Blart<\/em>‘s coincidental timing of release after it far exceeded Observe and Report<\/em>‘s earnings and released a sequel six years down the road.<\/p>\n

In 1989, Leviathan<\/em>, The Evil Below<\/em>,\u00a0Deep Star Six<\/em>, Lords of the Deep<\/em>, and The <\/em>Abyss<\/em> all were released (and 1990’s The Rift<\/em>), movies which all followed deep sea crews who are accosted by otherworldly creatures<\/a>.\u00a0 Of these films, James Cameron’s\u00a0The<\/em> Abyss <\/em>was the only success at the box office, while Lords of the Deep<\/em> would eventually become fodder for mockery in Netflix’s reboot of Mystery Science Theater 3000<\/em>.\u00a0 Of the two films involving a terrorist attack on the White House, White House Down<\/em> received more critical acclaim but Olympus Has Fallen <\/em>(made for half the budget) spawned two sequels after earning greater returns in sales.\u00a0 Friends With Benefits<\/em> and No Strings Attached <\/em>were both released in 2011 five months apart from each other, though there has been no talk of studio chicanery that resulted in the similarities between the two movies. \u00a0No Strings Attached <\/em>was originally in the works under the name Friends With Benefits<\/em>, and there was even studio pushback against the movie until the name was changed.\u00a0 The coincidences with these movie are especially interesting since both the films’ female leads, Mila Kunis and Natalie Portman, had been co-stars just the year before in\u00a0Black Swan<\/em>, a film whose plot revolves around the two actresses’ characters in competition for the same role.<\/p>\n

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Even the animation industry isn’t safe from film doppelgangers<\/a>, and is perhaps the battleground for one of the most stark and publicly-feuded examples of twin films.\u00a0 Pixar and Dreamworks are considered the head honchos of US 3D-animation, and as such have been in varying degrees of direct competition for years.\u00a0 John Lasseter, who helped found Pixar and served as executive producer and director for their first few films, had been fired from Disney a while before.\u00a0 Jeffrey Katzenberg was co-founder of Dreamworks and served as executive producer on their projects until 2004.\u00a0 It’s said that Katzenberg was in contact with Lasseter while he adjusted to life after Disney – including a conversation about Lasseter’s idea for a movie called Bugs<\/em>, which would eventually become A Bug’s Life<\/em>.\u00a0 Years later Dreamworks’ first animated release, The Prince of Egypt<\/em>, was scheduled to release in November of 1998.\u00a0 Disney, now serving as a parent company for Pixar,\u00a0scheduled the opening date of A <\/em>Bug’s Life<\/em> for that same weekend, and in response Dreamworks began production on Antz<\/em>.\u00a0 Both movies are 3D-animated movies about a worker ant who doesn’t quite fit in with their colony and goes to extreme measures to save the colony and woo their love interest, the princess.\u00a0 To make matters even more convoluted, Antz <\/em>had been apparently pitched to Disney studios in 1988 when Katzenberg still worked there under the name Army Ants<\/em>, and it’s possible the film just sat on the back burner until a prime opportunity to stick it to Disney had arrived.\u00a0 Dreamworks first selection of animated productions were said to be projects that Katzenberg had attempted to pursue while working at Disney that never made it off the ground. \u00a0Antz <\/em>is a slightly less family-friendly affair<\/a> and more dialogue-heavy movie than A Bug’s Life.<\/em>\u00a0 Both movies ended up being successful, A Bug’s Life <\/em>doubly so compared to its arthropod counterpart. \u00a0<\/em>Perhaps the biggest irony is that the climactic speech the main character gives in\u00a0Antz<\/em> is about the importance of critical and independent thought.<\/p>\n

If the timeline above was confusing, then perhaps that sheds a bit of light on why this sort of thing occurs so frequently.\u00a0 Production for a movie is rarely a matter of “the script is made, the movie is made, the movie is released”.\u00a0 Delays happen, properties change hands<\/a>, people drop out, financing gets tangled, and concepts are sat on for years.\u00a0 If a studio is struggling to get a project off the ground, sometimes seeing a rival studio announce their intention to release something with a similar premise is the fire under their keister to pull strings to make things happen.\u00a0 Since 1964, almost every year has had at least one case of twin film releases.\u00a0 Since 1981 it’s been rare for a year to not have multiple such occurrences.<\/p>\n

In the end, perhaps it’s not such a bad thing to be seeing double.\u00a0 It’s a shame when perfectly good concepts are squandered, and competition breeds innovation<\/a>.\u00a0 Perhaps, with twin films, those who are disappointed with aspects of one movie can find what they were looking for in the other. \u00a0 Maybe it’s an opportunity to get the best of both worlds while titans of the industry brawl out their creative differences.<\/p>\n

MORE: Disney’s Villainous Character Tier List<\/a><\/span><\/p>\n\n

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