{"id":114678,"date":"2020-11-07T17:06:28","date_gmt":"2020-11-07T17:06:28","guid":{"rendered":"https:\/\/gamerant.com\/denzel-washington-watch-cool-bts-look-at-scene-from-man-on-fire\/"},"modified":"2020-11-07T17:06:28","modified_gmt":"2020-11-07T17:06:28","slug":"watch-cool-bts-look-at-scene-from-denzel-washingtons-man-on-fire","status":"publish","type":"post","link":"https:\/\/itteacheritfreelance.hk\/wordpress\/index.php\/2020\/11\/07\/watch-cool-bts-look-at-scene-from-denzel-washingtons-man-on-fire\/","title":{"rendered":"Watch Cool BTS Look at Scene From Denzel Washington’s Man on Fire"},"content":{"rendered":"

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Director Tony Scott’s feature film adaptation of author\u00a0A. J. Quinnell’s Man of Fire\u00a0<\/em>premiered in theaters in 2004 with Denzel Washington as John W. Creasy. In a behind-the-scenes video, Scott and the director of photography\u00a0Paul Cameron\u00a0provided insight into how they\u00a0shot the kidnapping scene that launches the main storyline of the 20th Century Fox<\/strong><\/a> film.<\/p>\n

A former\u00a0CIA operative<\/a> and Force Recon Marine officer, Washington’s Creasy reluctantly\u00a0takes a bodyguard position on the advice of an old friend who realizes Creasy needs to feel useful. Tasked with protecting a nine-year-old girl named Lupita, the daughter of a wealthy automaker in\u00a0Mexico City, Creasy initially resists developing an emotional attachment to the child but finds himself forming a friendship with her that renews his sense of purpose. One day, Lupita is kidnapped amid the chaos of a gunfight that results in three of the abductors being killed\u00a0and Creasy\u00a0sustaining critical injuries, sending him on a revenge-fueled path to rescue her and take down the\u00a0corrupted forces behind her abduction.<\/p>\n

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In order to realize Scott’s vision for the kidnapping scene, the crew used hand-cranked cameras as opposed to resorting to digital effects<\/a>, which the director noted gives the sequence a “documentary feel” in the behind-the-scenes video. Hand-cranked\u00a0cameras had been the traditional means of ensuring film kept rolling at 24 frames-per-second, but\u00a0Cameron explained that\u00a0they were able to employ the old technique in new ways while shooting Man on Fire<\/em>. “What we’re doing in this film is we’re taking it to another level and using multiple exposures […] at any\u00a0given time on certain sequences,” said Cameron. “So, literally rolling the film forward, backward, different speeds. Just coming with some techniques that kind of reflect the tension and emotional quality of Denzel’s character.”<\/p>\n