{"id":498,"date":"2019-12-23T20:01:00","date_gmt":"2019-12-23T20:01:00","guid":{"rendered":"http:\/\/itteacheritfreelance.hk\/wordpress\/?guid=cde5184188ce50e1469cdd53bd6e206c"},"modified":"2019-12-23T20:01:00","modified_gmt":"2019-12-23T20:01:00","slug":"netflixs-witcher-series-is-more-captivating-than-flawed","status":"publish","type":"post","link":"https:\/\/itteacheritfreelance.hk\/wordpress\/index.php\/2019\/12\/23\/netflixs-witcher-series-is-more-captivating-than-flawed\/","title":{"rendered":"Netflix\u2019s Witcher Series Is More Captivating Than Flawed"},"content":{"rendered":"

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Netflix\u2019s Witcher series is surprisingly delightful. Based on Andrzej Sapkowski\u2019s popular novels, you have everything you\u2019d expect from The Witcher: bloody, brutal fights, intimate looks at beloved characters like Yennefer and Geralt, and you have an unpredictable world where you never know if someone is a friend or foe. As a big Witcher fan, the show has tons of things I love about the characters, like Yennefer\u2019s determination and menacing mind games, Jaskier (AKA Dandelion)\u2019s catchy songs, and Geralt\u2019s dry wit. Watching these characters and their world, which previously only existed in books and video games, come to life on screen in grandiose fashion is magical. Netflix\u2019s Witcher series is worth it for those moments, but it\u2019s not without some flaws and disappointments.<\/p>\n

Bringing a complex and detailed series like The Witcher to a TV audience is no easy task. Creator Andrzej Sapkowski\u2019s rich universe and its inner workings are far from elementary, and showcasing that on-screen, instead of having pages of exposition to convey it, presents a huge challenge and that struggle is evident here. As a fan who could follow along, I thoroughly enjoyed Netflix\u2019s Witcher series, but it can be very confusing for newcomers. Things aren\u2019t always explained well (or sometimes at all) and the show tends to jump around in time and between characters. The first episode begins with Geralt fighting a monster and then meeting a character named Renfri, who presents him with a complicated situation that forces Geralt to make a choice on what is \u201cthe lesser evil.\u201d His decision haunts him and leads him on the path to searching for\u00a0a princess named Ciri who has a mysterious power that puts her in danger with\u00a0the political war unfolding.\u00a0<\/p>\n

The first, eight-episode season is based on the short story collections The Last Wish<\/em> and Sword of Destiny<\/em>, focusing on Geralt, Ciri, and Yennefer and how all three are connected for a greater destiny. While it\u2019s clear the short stories serve as inspiration, it\u2019s not always by-the-book and the writers weren\u2019t afraid to expand on certain elements. For instance, the show quickly becomes focused on Yennefer, where actress Anya Chalotra gives a stellar performance as a woman who embraces chaos. In one of its most intriguing arcs, the writers\u00a0expanded on Yennefer\u2019s backstory, showing her struggles with her physical deformity and how she channeled her frustrations into becoming a powerful sorceress. A memorable scene where she finally takes matters into her own hands and walks into the room like a badass with her newfound confidence still sticks with me. Seeing her transformation makes you root for her, and even have some compassion when she\u2019s giving others a hard time or not necessarily doing something great.<\/p>\n

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A big strength of the show is in its performances and that\u2019s part of what makes it work. Henry Cavill nails the part of Geralt, from his gruff voice to his stoic demeanor, and the man can hold his own in a sword fight. Joey Batey is a wonderful Jaskier, capturing his talkative and annoying tendencies while also having his fun energy when singing songs. Geralt and Jaskier\u2019s interactions are some of my favorite in Netflix\u2019s series, as the humor is spot-on and you can tell a bond is there, even if Geralt will never admit it. Freya Allan brings an innocence and apprehensiveness to Ciri that is necessary considering she\u2019s blindsided and on the run for the whole series. Sadly, while Ciri\u2019s arc starts off strong, she gets less and less interesting as the series progresses. This also isn\u2019t helped by the slow pacing\u00a0(Geralt doesn\u2019t even meet Yennefer until several episodes in), and it feels at points the writers didn\u2019t know what to do with Ciri as they didn\u2019t have many options with her being on the run.\u00a0<\/p>\n

The show is definitely more character-driven than action-packed. For some that will be disappointing; after all, Geralt is a monster hunter and seeing some of these iconic baddies recreated is part of the draw. Thankfully, there are some bloody and great battles, especially in the first and last episodes. Since the fights are always interesting and well-choreographed, I would have liked to have seen a few more, especially since we have some powerful sorceresses on hand. \u00a0<\/p>\n

If you\u2019ve read the books, you\u2019ll understand and get excited for what the series is leading up to, but be prepared for a very abrupt ending. Seeing a huge and devastating political battle play out sets a grand stage, but it concludes in a way that makes it clear we haven\u2019t even scratched the surface of Geralt, Yennefer, and Ciri\u2019s connection. I\u2019m glad the show was already renewed for another season, because the current cliffhanger left me disappointed and wanting. This is a promising and impressive beginning, but season two certainly has some big shoes to fill.\u00a0<\/p>\n

To discover more about the thought process behind adapting the series, check out our interview with showrunner Lauren S. Hissrich<\/a>.<\/em><\/p>\n\n

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